References

 

As far as I could discern or reconstruct them, I have listed the critical and philosophical sources (as distinct from the literary ones like Wordsworth or Shakespeare) as referred to by the critics as well as by myself. Where relevant, a coded abbreviation (see list on p. vi), an original publication date, or an author's alternate name is given in square brackets. Not all non-English characters are available in FrontPage, so I used what I could.

 

Abraham, Karl. The influence of oral eroticism on character formation. In Selected Papers. London: Hogarth, 1927, 383-406.

Abrams, Meyer. Structure and style in the greater Romantic lyric. In Frederick Hilles and Harold Bloom (eds.), From Sensibility to Romanticism. New York: Oxford University Press, 1965, 527-560.

Adorno, Theodor W. Philosophie der neuen Musik. Frankfurt: Europäische Verlagsanstalt, 1958.

Adorno, Theodor W.Noten zur Literatur. Frankfurt: Suhrkamp, 1958-65.

Adorno, Theodor W. Negative Dialektik. Frankfurt: Suhrkamp, 1966.

Adorno, Theodor W. Society. Salmagundi 10-11, 1969-70, 144-153.

Adorno, Theodor W. Ästhetische Theorie. Frankfurt: Suhrkamp, 1970.

Alexander, Franz. Fundamentals of Psychoanalysis. New York: Norton, 1963.

Althusser, Louis. Pour Marx. Paris: F. Masparo, 1965.

Althusser, Louis. et al. Reading Capital. London: New Left Books, 1970.

Arnold, Matthew. On Translating Homer. London: Longman, Green, Longman, & Roberts, 1861.

Arnold, Matthew. The Function of Criticism at the Present Time. London: Macmillan, 1895.

Arnold, Matthew. The Study of Poetry. London: G.P. Putnam's Sons, 1893.

Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. New York: Anchor, 1957.

Austin, John. How to Do Things with Words. Cambridge: Harvard, 1962.

Bakhtin, Mikhail. Problems of Dostoyevsky's Poetics. Ann Arbor: Ardis, 1973. (a)

Bakhtin, Mikhail. Esthetique et theorie du roman. Paris: Gallimard, 1978.

Barfield, Owen. Saving the Appearances: A Study in Idolatry. London: Faber & Faber, 1957.

Barthes, Roland. Le Degre zéro de la littérature. Paris: Seuil, 1953.

Barthes, Roland. Michelet par lui-meme. Paris: Seuil, 1954.

Barthes, Roland. Sur Racine. Paris: Seuil, 1963.

Barthes, Roland. Critique et verité. Paris: Seuil, 1966.

Barthes, Roland. Système de la mode. Paris: Seuil, 1967.

Barthes, Roland. S/Z. Paris: Seuil, 1970.

Barthes, Roland. Style and its image. In Seymour Chatman (ed.), Literary Style: A Symposium. New York: Oxford University Press, 1971, 3-10.

Barthes, Roland. Le Plaisir du texte. Paris: Seuil, 1973. (a)

Barthes, Roland. Analyse textuelle d'un conte d'Edgar Poe. In Claude Chabrol (ed.), Semiotique narrative et textuelle. Paris: Larousse, 1973, 29-54. (b)

Barthes, Roland. Image, Music, Text. New York: Hill & Wang, 1977.

Bazell, Charles. Linguistic Form. Istanbul: Istanbul Press, 1953.

Bazell, Charles. The correspondence fallacy in structural linguistics. In E. Hamp (ed.), Readings in Linguistics. Chicago: University of Chicago Press, 1966, 271-298.

Beaugrande, Robert de. Factors in a Theory of Poetic Translating. Amsterdam: Rodopi, 1978.

Beaugrande, Robert de. A rhetorical theory of audience response. In Martin Steinmann (ed.), Rhetoric 1978: An Interdisciplinary Conference. Minneapolis: University of Minnesota Center for Advanced Research, 1979, 9-20. (a)

Beaugrande, Robert de. Toward a general theory of creativity. Poetics 8, 1979, 269-306. (b)

Beaugrande, Robert de. Text, Discourse, and Process. Norwood, N. J.: Ablex, 1980.

Beaugrande, Robert de. Design criteria for process models of reading. Reading Research Quarterly 16, 1980-81, 261-315.

Beaugrande, Robert de. The story of grammars and the grammar of stories. Journal of Pragmatics 6, 1982, 383-422. (a)

Beaugrande, Robert de. General constraints on process models of language. In Jean-Francois le Ny and Walter Kintsch (eds.), Language and Comprehension. Amsterdam: North Holland, 1982, 179-192. (b)

Beaugrande, Robert de. Surprised by syncretism: Cognition and literary criticism. Poetics 11, 1983, 83-137.

Beaugrande, Robert de. . Text Production. Norwood, N. J.: Ablex, 1984. (a)

Beaugrande, Robert de. Freudian psychoanalysis and information processing: Notes on a future synthesis. Psychoanalysis and Contemporary Thought 7/2, 1984, 147-194. (b)

Beaugrande, Robert de. Schemas for literary communication. In László Halász (ed.), Literary Discourse. New York: de Gruyter, 1986, 34-68.

Beaugrande, Robert de. Determinacy distribution in complex systems: Science, language, linguistics, life. Zeitschrift fur Phonetik, Sprachwissenschaft und Kommunikationsforschung, 40, 1987, 145-188. (a)

Beaugrande, Robert de. Perspektivy postklasickej semantiky. Jazykovedny Casopis Slovenksej Akademie Vied  45/2, 1994, 81-94.[listed here as1987 (b)]

Beaugrande, Robert de. Linguistic Theory: The Discourse of Fundamental Works. London: Longman, In preparation [published 1991].

Beaugrande, Robert de. New Foundations for a Science of Text and Discourse. Greenwich, CT: Ablex, 1997.  

Beaugrande, Robert de. 2004. A New Introduction to the Study of Text and Discourse. Published on my website at www.beaugrande.bizland.com.

Beaugrande, Robert de, and Colby, Benjamin. Narrative models of action and interaction. Cognitive Science 1979, 3, 43-66.

Bebel, August. Women and Socialism. New York: Socialist Literature Co., 1910.

Benjamin, Walter. Ursprung des deutschen Trauerspiels. Berlin: Rowohlt, 1928.

Benjamin, Walter. Über einige Motive bei Baudelaire. In Gesammelte Schriften I. Frankfurt: Suhrkamp, 1974, 605-653.

Benjamin, Walter. Zentralpark. In Gesammelte Schriften I. Frankfurt: Suhrkamp, 1974 [1938-39], 655-690.

Benjamin, Walter.  Illuminations. New York: Schocken, 1969.

Bergler, Edmund. The Writer and Psychoanalysis. New York: Doubleday, 1950.

Betti, Emiliano. Teoria generale della interpretazione. Milan: Giuffré, 1955.

Birkhoff, George David. Aesthetic Measure. Cambridge, MA: Harvard University Press, 1933.

Blackmur, Richard. Language as Gesture. New York: Harcourt Brace, 1952.

Blanchot, Maurice. La Part du feu. Paris: Gallimard, 1949.

Blanchot, Maurice. L'Espace littéraire. Paris: Gallimard, 1955.

Bleich, David. Psychological bases of learning from literature. College English 33, 1971, 32-45.

Bleich, David. Readings and Feelings [RF]. Urbana, NCTE, 1976.

Bleich, David. Subjective Criticism [SC]. Baltimore: Johns Hopkins University Press, 1978.

Bleich, David. Literary evaluation and the epistemology of symbolic objects [LEE]. In Karl Menges and Daniel Rancour-Laferrière (eds.), Axia: Davis Symposium on Literary Evaluation. Stuttgart: Akademischer Verlag, 1981, 100-128.

Bloch, Ernst. Das Prinzip Hoffnung. Frankfurt: Suhrkamp, 1959.

Bloch, Ernst. Geist der Utopie. Frankfurt: Suhrkamp, 1964.

Bloom, Harold. The Visionary Company. New York: Doubleday, 1961.

Bloom, Harold. Anxiety and Influence: A Theory of Poetry [ANX]. New York: Oxford University Press, 1973.

Bloom, Harold. A Map of Misreading [MAP]. New York: Oxford University Press, 1975. (a)

Bloom, Harold. Kabbalah and Criticism. New York: Seabury, 1975. (b)

Bloom, Harold. The breaking of form [BF]. In Bloom et al., 1979, 1-37.

Bloom, Harold. Criticism, canon formation, and prophecy: The sorrows of facticity [CCP]. Raritan 3/3, 1984, 1-20.

Bloom, Harold, et al. Deconstruction and Criticism. New York: Seabury, 1979.

Bloomfield, Leonard. Language. New York: Holt, 1933.

Blüher, Karl. Die poetische Funktion der Sprache in der symbolistischen und surrealistischen Lyrik. In Erich Koehler (ed.), Sprachen der Lyrik. Frankfurt: Vittorio Klostermann, 1975, 22-45.

Blumenberg, Hans. Wirklichkeitsbegriff und Möglichkeiten des Romans. In Hans Robert Jauss (ed.), Nachahmung und Illusion. Munich: Fink, 1969, 9-27.

Boas, George. Philosophy and Poetry. Norton, MA: Wheaton College, 1932.

Bohr, Niels. Atomic Theory and the Description of Nature. New York: Macmillan, 1934.

Bonaparte, Marie. Female Sexuality. New York: International University Presses, 1953.

Booth, Stephen. An Essay on Shakespeare's Sonnets. New Haven: Yale University Press, 1969.

Booth, Wayne. The Rhetoric of Fiction. Chicago: University of Chicago Press, 1961.

Bosanquet, Bernard. Three Lectures on Aesthetic. London: Macmillan, 1915.

Bowlby, Rachel. “The Feminine Female.” Social Text 7, 1983, 54-68.

Brenkman, John. Narcissus in the text. Georgia Review 30, 1976, 293-327.

Bridgman, Percy Williams. Reflections of a Physicist. New York: Philosophical Library, 1955.

Brooks, Cleanth. The Well-Wrought Urn. New York: Harcourt Brace, 1947.

Brunetière, Ferdinand. L’Évolution des genres dans l'histoire de la littérature. Paris: Hachette, 1890.

Burke, Kenneth. Counter-Statement. Berkeley: University of California Press, 1931.

Burke, Kenneth.  The Philosophy of Literary Form. Berkeley: University of California Press, 1941.

Burke, Kenneth. A Grammar of Motives. Engelwood Cliffs: Prentice-Hall, 1945.

Burke, Kenneth. The Rhetoric of Religion. Boston: Beacon, 1961.

Burton, Robert. Anatomy of Melancholy. Oxford: Cripps, 1628.

Cassirer, Ernst. Philosophy of Symbolic Forms. New Haven: Yale University Press, 1953-57 [1923-29].

Cassirer, Ernst.  An Essay on Man. New York: Anchor, 1953.

Cavell, Stanley. Must We Mean What We Say? New York: Scribner, 1969.

Chase, Richard. The sense of the present. Kenyon Review 7, 1945, 218-231.

Chernyshevsky, Nikolai G. What Is to Be Done? New York: Humboldt, 1863.

Chomsky, Noam. Aspects of the Theory of Syntax. Cambridge: MIT, 1965.

Coleridge, Samuel Taylor. The Statesman's Manual. London: Gale & Fenner, 1816.

Collingwood, Robin George. The Idea of History. Oxford: Clarendon, 1946.

Coomaraswamy, Amanda. Intention. American Bookman 1, 1944, 41-48.

Crane, Ronald S. Interpretation of texts and the history of ideas. College English 11, 1941, 755-765.

Crews, Frederick. The Sins of the Fathers. Oxford: Oxford University Press, 1966.

Crews, Frederick.  Reductionism and its discontents. Critical Inquiry 1/2, 1975, 543-558.

Croce, Benedetto.  Problemi di estetica. Bari: G. Laterza & figli, 1910.

Croce, Benedetto. Aesthetic as a Science of Expression and General Linguistic. London: Macmillan, 1909.

Culler, Jonathan. Flaubert: The Uses of Uncertainty. London: Elek, 1974.

Culler, Jonathan.  Structuralist Poetics [PO]. Ithaca: Cornell University Press, 1975.

Culler, Jonathan.  Literary history, allegory, and semiology. New Literary History 7, 1976, 259-270.

Culler, Jonathan.  The Pursuit of Signs [PS]. Ithaca: Cornell University Press, 1981.

Culler, Jonathan.  On Deconstruction [OD]. Ithaca: Cornell University Press, 1982.

Danto, Arthur C. The Analytical Philosophy of History. Cambridge, England: Cambridge University Press, 1965.

Darwin, Charles. The Origin of the Species by Means of Natural Selection. London: J. Murray, 1859.

Deleuze, Gilles, and Guattari, Félix. Anti-Oedipus. New York: Viking, 1977.

De Man, Paul. The rhetoric of temporality [RT]. In Charles Singleton (ed.), Interpretation: Theory and practice. Baltimore: Johns Hopkins University Press, 1969, 173-209. Also in BI, 187-228.

De Man, Paul. Allegories of Reading [ALG]. New Haven: Yale University Press, 1979. (a)

De Man, Paul.  Shelley disfigured [SD]. In Bloom et al., 1979, 39-73. (b)

De Man, Paul.  Blindness and Insight [BI]. Minneapolis: University of Minnesota Press, 1983.

Derrida, Jacques. De la Grammatologie. Paris: Minuit, 1967. (a)

Derrida, Jacques.  L’Écriture et la différance. Paris: Seuil, 1967. (b).

Derrida, Jacques.   Marges de la Philosophie. Paris: Minuit, 1972. (a).

Derrida, Jacques.   Positions. Paris: Minuit, 1972. (b).

Derrida, Jacques.   La Dissémination. Paris: Minuit, 1972. (c).

Derrida, Jacques. Writing and Difference. Chicago: U of Chicago P, 1978. [translation of 1967b]

Derrida, Jacques. Positions. Chicago: U of Chicago P, 1981. [translation of 1972b]

Derrida, Jacques.   The conflict of faculties. In Michael Riffaterre (ed.), Languages of Knowledge and of Inquiry. New York: Columbia University Press, 1982.

Derrida, Jacques.    Glas. Paris: Galilee, 1974.

Dieckmann, Herbert. Zur Theorie der Lyrik im 18. Jahrhundert in Frankreich. In: Wolfgang Iser (ed.), Poetik und Hermeneutik. Munich: Fink, 1966.

Diesing, Paul. Patterns of Discovery in the Social Sciences. Chicago: Aldine-Atherton, 1971.

Dillon, George. Language Processing and the Reading of Literature. Bloomington: Indiana University Press, 1978.

Dilthey, Wilhelm. Die drei Grundformen der Systeme in der ersten Hälfte des 19. Jahrhunderts. Archiv fur Geschichte der Philosophie 9, 1898, 557-586.

Dilthey, Wilhelm.  Das Wesen der Philosophie. In Paul Hinneberg (ed.), Die Kultur der Gegenwart. Berlin: Reichl & Co., 1907, 1-72.

Dilthey, Wilhelm.   Die Typen der Weltanschauung und ihre Ausbildung in philosophischen Systemen. In Max Frischeisen-Koehler (ed.), Weltanschauung, Philosophie, Religion. Berlin: Reichl & Co., 1911, 3-54.

Doubrovsky, Serge. Pourquoi la nouvelle critique? Paris: Mercure de France, 1966.

Droysen, Johann Gustav. Historik: Vorlesung uber Enzyklopädie und Methodologie der Geschichte. Munich: Oldenbourg, 1967 [1857-63].

Eco, Umberto. L'opera aperta. Milan: Bompiani, 1968.

Eco, Umberto.  A Theory of Semiotics. Bloomington: Indiana University Press, 1979. (a)

Eco, Umberto.  The Role of the Reader. Bloomington: Indiana University Press, 1979. (b)

Eddington, Arthur. Space, Time, and Gravitation. Cambridge: Cambridge University Press, 1920.

Edel, Leon. The Psychological Novel 1900-1950. New York: Hart-Davis, 1955.

Edel, Leon.  Literary Biography. Bloomington: Indiana University Press, 1959.

Edel, Leon.  Henry James: The Treacherous Years 1895-1901. Philadelphia: Lippincott, 1969.

Eikhenbaum, Boris Mikhailovich. Literatura: Teoria, Kritika, Polemika. Leningrad: Priboi, 1927.

Eikhenbaum, Boris Mikhailovich.  M. Yu. Lermontov. Moscow: Izdatelstvo Detskoi Literatury, 1936.

Eikhenbaum, Boris.  Aufsatze zur Theorie und Geschichte der Literatur. Frankfurt: Suhrkamp, 1965. [tranlsation of 1927]

Einstein, Albert. Lettres à Maurice Solvine. Paris: Gauthier-Villars, 1956.

Eliot, Thomas Stearns. The Use of Poetry and the Use of Criticism. London: Faber & Faber, 1933.

Eliot, Thomas Stearns.  On Poetry and Poets. New York: Farrar, Straus, & Cudahy, 1957.

Ellman, Mary. Thinking about Women. New York: Harcourt Brace, 1968.

Emerson, Ralph Waldo. The Journals of Ralph Waldo Emerson. New York: Houghton-Mifflin, 1909-14.

Emerson, Ralph Waldo.  Montaigne, or the Skeptic. In Representative Men. Boston: Phillips, Sanson, & Co., 1850.

Empson, William. Seven Types of Ambiguity. London: Chatto & Windus, 1930.

Engels, Friedrich. The Origin of the Family, Private Property, and the State. Chicago: Charles Kerr, 1884.

Engels, Friedrich. Letter to Margaret Harkness. In Berel Lang and Forrest Williams (eds.), Marxism and Art. New York: McKay, 1972, 51-54.

Enzensberger, Christian. Literatur und Interesse. Munich: Hanser, 1977.

Erikson, Erik. Childhood and Society. New York: Norton, 1950.

Erlich, Viktor. Russian Formalism. The Hague: Mouton, 1955.

Fechner, Gustav. Vorschule der Ästhetik. Leipzig: Breitkopf and Härtel, 1876.

Felman, Shoshana. The critical phallacy. Diacritics 5.2, 1975, 2-10.

Fenichel, Otto. The Psychoanalytic Theory of Neurosis. New York: Norton, 1945.

Fenichel, Otto.  The scoptophilic [sic] instinct and identification. In Collected Papers of Otto Fenichel. New York: Norton, 1953, 373-397.

Ferenczi, Sandor. Thalassa: A Theory of Genitality. Albany: The Psychoanalytic Quarterly, 1938.

Fetterly, Judith. The Resisting Reader: A Feminist Approach to American Fiction. Bloomington: Indiana University Press, 1978.

Fiedler, Leslie Aaron. John Donne's "Songs and Sonnets": A Reinterpretation in Light of Their Traditional Backgrounds. Madison: University of Wisconsin dissertation, 1941.

Fiedler, Leslie Aaron.  An End to Innocence [EI]. New York: Stein and Day, 1971 [1948-55].

Fiedler, Leslie Aaron.  No! in Thunder [NT]. New York: Stein and Day, 1960.

Fiedler, Leslie Aaron.  Love and Death in the American Novel [LD]. New York: Penguin, 1984 [1960, 1966].

Fiedler, Leslie Aaron.  What Was Literature? [WL]. New York: Simon and Schuster, 1982.

Fingarette, Herbert. The Self in Transformation. New York: Basic Books, 1963.

Fish, Stanley Eugene. Surprised by Sin: The Reader in Paradise Lost. Berkeley: University of California Press, 1967.

Fish, Stanley Eugene.  Literature in the reader: Affective stylistics. New Literary History 1, 1970, 123-162.

Fish, Stanley Eugene.  Self-Consuming Artifacts. Berkeley: University of California Press, 1972.

Fish, Stanley Eugene.  How ordinary is ordinary language? New Literary History 5, 1973, 41-54.

Fish, Stanley Eugene. Interpreting the Variorum. Critical Inquiry 2, 1976, 465-485.

Fish, Stanley Eugene.. Normal circumstances [...] and other special cases. Critical Inquiry 5, 1978, 625-644.

Fish, Stanley Eugene.  Is There a Text in This Class? Cambridge: Harvard University Press, 1980.

Fisher, Seymour, and Greenberg, Roger. The Scientific Credibility of Freud's Theories and Therapy. New York: Basic Books, 1977

Fletcher, Angus. Allegory: The Theory of a Symbolic Mode. Ithaca: Cornell University Press, 1964.

Fletcher, Barbara. Reflections on Derrida. Gainesville: University of Florida dissertation, 1984.

Forster, Edward Morgan. Aspects of the Novel. London: E. Arnold, 1927.

Foucault, Michel. Les Mots et les choses. Paris: Gallimard, 1966.

Foucault, Michel.  L'Archéologie du savoir. Paris: Gallimard, 1969.

French, Thomas, and Fromm, Erika. Dream Interpretation: A New Approach. New York: Basic Books, 1964.

Freud, Anna. The Ego and the Mechanism of Defense. London: Hogarth, 1937.

Freud, Sigmund. The interpretation of dreams. Standard Edition 4 and 5 [1900].

Freud, Sigmund.  Jokes and their relation to the unconscious. Standard Edition 7 [1905].

Freud, Sigmund.  Character and anal eroticism. Standard Edition 9: 169-175 [1908].

Freud, Sigmund.. Creative writing and day-dreaming. Standard Edition 9: 143-153 .[1908].

Freud, Sigmund.. On the sexual theories of children. Standard Edition 9: 205-226 [1908].

Freud, Sigmund.  The future of an illusion. Standard Edition 21: 3-56 [1927].

Freud, Sigmund.  Totem and taboo. Standard Edition 13: 1-161 [1913].

Freud, Sigmund.. The uncanny. Standard Edition 17: 219-252 [1919].

Freud, Sigmund.  Beyond the pleasure principle. Standard Edition 18: 3-64 [1920].

Freud, Sigmund.  Note upon the "mystic writing pad." Standard Edition 19: 227-232 [1924].

Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sigmund Freud. London: Hogarth Press, 1953-64.

Freud, Sigmund. The Wolfman and Sigmund Freud. Harmondsworth: Penguin, 1973.

Frye, Northrop. Anatomy of Criticism [AC]. Princeton: Princeton University Press, 1973 [1957].

Frye, Northrop.  Myth, fiction, and displacement. In Northrop Frye, Fables of Identity. New York: Harcourt Brace and World, 1963, 21-38.

Gadamer, Hans-Georg. Wahrheit und Methode. Tubingen: Mohr, 1960.

Garaudy, Roger. Statt eines Nachwortes zu 'D'un Réalisme sans rivages'. In Fritz J. Raddatz (ed.), Marxismus und Literatur. Reinbek: Rowohlt, 1969, Vol. 3, 210-214.

Genette, Gerard. Figures. Paris: Seuil, 1966.

Gervinus, Georg Gottfried. Schriften zur Literatur. Berlin: Aufbau Verlag, 1962 [1883].

Gödel, Kurt. Über formal unentscheidbare Sätze der Principia Mathematica. Monatshefte für Mathematik und Physik 1934, 38, 173-198.

Godzich, Wlad. Caution! Reader at work! Introduction to de Man 1983 [BI], xv-xxx.

Goldmann, Lucien. Le Dieu caché. Paris: Gallimard, 1959.

Goldmann, Lucien. Pour une sociologie du roman. Paris: Gallimard, 1964.

Gombrich, Ernst. Art and Illusion. London: Phaidon, 1960.

Gombrich, Ernst.  Norm and Form. London: Phaidon, 1966.

Goode, William J. The Family. Englewood Cliffs: Prentice-Hall, 1964.

Greenson, Ralph. Empathy and its vicissitudes. International Journal of Psychoanalysis 41, 1960, 418-424.

Greimas, Algirdas. Sémantique structurale: Recherches de méthode. Paris: Larousse, 1966.

Groeben, Norbert. Empirical methods for the study of literature. Discourse Processes 3, 1980, 345-367. (a)

Groeben, Norbert. Rezeptionsforschung als empirische Literaturwissenschaft. Tübingen: Narr, 1980. (b)

Groeben, Norbert.  Leserpsychologie. Münster: Aschendorff, 1982.

Gunzenhäuser, Rul. Ästhetisches Mass und ästhetische Information. Quickborn: Schnelle, 1962.

Habermas, Jürgen. Knowledge and Human Interests. Boston: Beacon, 1971.

Hamann, Johann Georg. Zwo Recensionen nebst einer Beylage, betreffend den Ursprung der Sprache. London: Dodsley & Compagnie, 1772.

Harari, Josué (ed.). Structuralists and Structuralism. Ithaca: Diacritics, 1971.

Harari, Josué. Textual Strategies: Perspectives in Post-Structuralist Criticism. Ithaca: Cornell University Press, 1979.

Hartman, Geoffrey. The Unmediated Vision. New Haven: Yale University Press, 1954.

Hartman, Geoffrey.  Beyond Formalism. New Haven: Yale University Press, 1970.

Hartman, Geoffrey. The Fate of Reading. Chicago: University of Chicago Press, 1975.

Hartman, Geoffrey.  Preface [DC]. In Bloom et al., 1979, vii-ix. (a)

Hartman, Geoffrey.  Words, wish, worth: Wordsworth [WOR]. In Bloom et al., 1979, 177-216. (b)

Hartman, Geoffrey.  Criticism in the Wilderness [CW]. New Haven: Yale University Press, 1980.

Hartman, Geoffrey.  Saving the Text: Literature, Derrida, Philosophy [SAV]. Baltimore: Johns Hopkins University Press, 1981.

Harvey, William John. Character and the Novel. Ithaca: Cornell University Press, 1965.

Hassan, Ihab. The Literature of Silence. New York: Knopf, 1967.

Hegel, Georg Friedrich Wilhelm. Phänomenologie des Geistes. Bamberg: Goebhardt, 1807.

Hegel, Georg Friedrich Wilhelm, Ästhetik. Berlin: Duncker and Humblot, 1835.

Hegel, Georg Friedrich Wilhelm. Vorlesungen uber die Philosophie der Geschichte. Berlin: Duncker and Humblot, 1848.

Heilbrun, Carolyn. Millett's Sexual Politics: A year later. Aphra 2, 1971, 38-47.

Heisenberg, Werner. The Physicist's Conception of Nature. London: Hutchinson, 1958.

Herder, Johann Gottfried. Humanitätsbriefe. Jena: Diedrichs, 1919 [1796].

Hirsch, Eric Donald. Innocence and Experience: An Introduction to Blake [IE]. New Haven: Yale University Press, 1964.

Hirsch, Eric Donald. Validity in Interpretation [VAL]. New Haven: Yale University Press, 1967.

Hirsch, Eric Donald. Privileged criteria in literature [PC]. In Joseph Strelka (ed.), Problems in Literary Evaluation. University Park: University of Pennsylvania Press, 1969, 22-34.

Hirsch, Eric Donald. The Aims of Interpretation [AIM]. Chicago: University of Chicago Press, 1976.

Hjelmslev, Louis. Prolegomena to a Theory of Language. Baltimore: Waverly, 1953 [1943].

Hofstadter, Douglas. Godel, Escher, Bach. New York: Basic Books, 1979.

Holland, Norman Norwood. The Dynamics of Literary Response [DY]. New York: Norton, 1975 [1968].

Holland, Norman Norwood.  Poems in Persons [PIP]. New York: Norton, 1973.

Holland, Norman Norwood.  5 Readers Reading [5RR]. New Haven: Yale University Press, 1975. (a)

Holland, Norman Norwood.  Unity, identity, text, self [UITS]. PMLA 90/5, 1975, 813-22. (b).

Holland, Norman Norwood.  Laughing: A Psychology of Humor. Ithaca: Cornell University Press, 1982.

Holland, Norman Norwood.  The brain of Robert Frost [BRF]. New Literary History 15, 1983-84, 365-385.

Holland, Norman Norwood.  Driving in Gainesville, Florida: The shared and the individual in literary response. [DGF]. University of Hartford Studies in Literature 16, 1984, 1-15.

Holland, Norman Norwood.  The I [I]. New Haven: Yale University Press, 1985.

Holland, Norman Norwood, and Kintgen, Eugene. Carlos reads a poem [CRAP]. College English 46/5, 1984, 478-491.

Hömberg, Walter, and Rossbacher, Karlheinz. Lesen auf dem Lande. Literarische Rezeption und Mediennutzung im ländlichen Siedlungsgebiet Salzburgs. Munich: Fotodruck Frank, 1977.

Horney, Karen. Our Inner Conflicts. New York: Norton, 1945.

Horney, Karen.  Neurosis and Human Growth. New York: Norton, 1950.

Hubert, Judd. L'Esthétique des Fleurs du mal. Geneva: P. Callier, 1953.

Husserl, Edmund. Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins. Halle: Niemeyer, 1928.

Husserl, Edmund.  The Crisis of European Science and Transcendental Phenomenology. Evanston: Northwestern University Press, 1970 [1936].

Ingarden, Roman. Das literarische Kunstwerk. Halle: Niemeyer, 1931.

Irigaray, Luce. Le Speculum de l'autre femme. Paris: Editions de Minuit, 1974.

_____. Ce Sexe que n'est pas un. Paris: Editions de Minuit, 1977.

Irigaray, Luce. Speculum of the Other Woman. lthaea: Corneil UP, 1985. [translation of 1974]

Irigaray, Luce This Sex Is Not One. lthaea: Cornell UP, 1985. [translation of 1977]

Iser, Wolfgang. Die Appellstruktur der Texte. Konstanz: University of Konstanz Press, 1970.

Iser, Wolfgang.  The Implied Reader [IR]. Baltimore: Johns Hopkins University Press, 1975 [1972].

Iser, Wolfgang.  The Act of Reading [AR]. Baltimore: Johns Hopkins University Press, 1978 [1976].

Jacobus, Mary. Sue the Obscure. Essays in Criticism 25, 1975, 304-328.

Jaensch, Erich. Eidetic Imagery and Typological Methods of Investigation. London: K. Paul, Trench, Trubner, & Co, 1930.

Jakobson, Roman. Linguistics and poetics. In Thomas Sebeok (ed.), Style in Language. Cambridge, MA: MIT Press, 1960, 350-377.

Jakobson, Roman.  Une Microscope du dernier Spleen dans les Fleurs du mal. Tel Quel 29, 1967, 12-24.

Jameson, Fredric. Marxism and Form [MF]. Princeton: Princeton University Press, 1971.

Jameson, Fredric.  The Prisonhouse of Language [PL]. Princeton: Princeton University Press, 1972.

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